Thursday, 7 February 2019

The Representational Art Conference 2019

The Representational Art Conference 2019

31st March to 4th April 2019
Ventura, United States of America
http://trac2019.org

Call for Papers!

- IMAGINE -

The Representational Art Conference 2019 is the premier international event focused on cutting-edge representational art in the 21st Century.
A conference for studio artists, curators, thinkers and writers.

This year we are especially interested in the relationship between imagination and 21st Century representational art.

Imagination lies at the heart of art. Without it, creativity is impossible. But what is it, how is it employed, and what is its role in representational art? It is a term that everybody celebrates, but it is also (depending on how it is understood) the locus of fundamental disagreements about the nature of the artistic enterprise. This year's TRAC invites artists and thinkers to reflect together on the imagination's role in representational art. We invite submissions on a range of topics related to the imagination, such as:

Can artists be both representational and imaginative?
What is the relationship between 21st-century imaginative realism and movies?
How can imagination be a vehicle of truth in art?
Esoteric symbolism and imagination
Allegory and representational art
Is imagination simply a mode of subjective expression or can it be a guide to the real?
Graham Harman's object-oriented ontology
Metaphor and imagination
How is imagination different from fantasy?
What is the relationship between 21st Century representational art and the past?
Pop-surrealism and lowbrow imagination
How is imagination different from creativity?
Critical approaches to science fiction and fantasy art and artists
What is the role of imagination in religious art?
Imagination and the atelier
What are the respective roles of imagination and emotion in art?
Which 21st-century artists have best used the constructive role of imagination in art?
What is the connection between imagination and symbolism in art?
Left brain/right brain: do artists need both?
What are the connections between realism, idealism and imagination in art?
The PreRaphaelite imagination and 21st Century representation
The artist's eye: how does imagination aid artistic vision?
How does imagination aid the perception of beauty?

We will not accept papers by authors who describe their own artistic work.

FINAL CALL SUBMISSION DEADLINE: 15th February 2019

To submit your abstract please visit: https://www.trac2019.org/call-for-papers/


Enquiries: pearce@callutheran.edu
Web address: https://www.trac2019.org/call-for-papers/
Sponsored by: California Lutheran University
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Asia-Pacific Conference on Advances in Education, Teaching and Technology 2019

Dear Colleague,

Asia-Pacific Conference on Education, Teaching and Technology 2019
20-21 June 2019, 20-21 June 2019, Kuala Lumpur, Malaysia.
http://educationconference.info/asia-pacific/


We would like to invite you to present your research or to join as a listener at the Asia-Pacific Conference on Education, Teaching and Technology 2019 organized by Unique Conferences Canada and hosted by the International Center for Research and Development which will be held on 20-21 June 2019 at The Federal Kuala Lumpur hotel in Kuala Lumpur, Malaysia.

The EduTeach conference series is renowned for its high level of attendance, thought-leading and cutting edge contents, unrivaled networking opportunities and presenter friendly atmosphere. These research conferences draw high profile Education leaders from every corner of Asia and beyond.

The abstract proceedings will be published in a journal before the conference with an ISSN 2659-2495 and forward for indexing to ISI/Thomson Reuters
https://asianstudies.info/proceedings-3/

This time, we expect over 100 presentations on latest research papers on current trends and modern technology on Education, Pedagogy, Curricula Development, e-learning etc.

PARTICIPANT'S PROFILE

Educators, Teachers, Technologists, Researchers, Secondary, Vocational or Tertiary Educators, Public and Private Sector Professionals, Policy Makers and University/School Registrars, School Counselors, Principals and Teachers, Master and PhD students, Curriculum Developers, Education Technology Developers, Career and employment officers and any others who are interested to join this conference.

Application:
Presenter - send the application along with your abstract
Listener – send the application with your profile (as the attachment instead of abstract)

Application: http://educationconference.info/asia-pacific/application/

Send your abstract to: abstractAP@educationconference.info

Registration details: http://educationconference.info/asia-pacific/registration/

We hope to meet you at EduTeach2019!

Best wishes

Dr. Cristeta Dulos
Academic Chair- EduTeach2019 Conference
http://educationconference.info/asia-pacific/
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Wednesday, 6 February 2019

The European Conference on Arts and Humanities (ECAH2019)

Call for Papers | The 7th European Conference on Arts and Humanities (ECAH2019)
July 12-13, 2019
The Jurys Inn Brighton Waterfront, Brighton, UK
https://ecah.iafor.org/

––– Event Details –––

Early Bird Abstract Submission Deadline: February 28, 2019*
Final Abstract Submission Deadline: April 30, 2019

Early Bird Registration for Presenters: March 29, 2019*
Final Registration Deadline for Presenters: May 31, 2019

Submit your abstract through the online submission system:
https://ecah.iafor.org/call-for-papers/

*Submit early to take advantage of the discounted registration rates.

Download the Conference Flyer:
https://ecah.iafor.org/archives/conference-flyers/ecah/pdf/ecah2019-conference-flyer.pdf

This conference is organised by The International Academic Forum (IAFOR) in association with the IAFOR Research Centre at the Osaka School of International Public Policy (OSIPP) in Osaka University, Japan.

––– Conference Theme: "Reclaiming the Future" –––

We live in a period characterised by rises in regionalism, nationalism and authoritarianism; a time of great global uncertainty and anxiety, as well as inequality and iniquity which both reflects and drives political divide, and undermines international systems of cooperation. Clashes of identities, beliefs and ideologies are evident in academia, media and the arts, contributing to a feeling that humanity is spiralling out of control; that our relationships with each other, as well as with the earth and environment, have never been worse.

Yet, as humans, we are not conditioned by fear alone, but instead by a remarkable ingenuity, and a capacity for hope, self-reflection, activism and action. This agency to improve our own lives, and those of others, is the theme of this international conference, inviting us to consider the ways in which we contextualise and process the past, reimagining ourselves, our relationships, and our environments; driving positive change and reclaiming the future as a time we look towards with hope, and even optimism.

ECAH2019 will be held alongside The 6th European Conference on Media, Communication and Film (EuroMedia2019). Registration for either conference will allow delegates to attend sessions in the other.

In conjunction with our Global Partners, including the University of Sussex and Birkbeck, University of London, we look forward to extending you a warm welcome in 2019.

– The ECAH2019 Organising Committee

Anne Boddington, Kingston University, UK
Bruce Brown, Royal College of Art, UK
Matthew Coats, University of Brighton, UK
Joseph Haldane, The International Academic Forum (IAFOR), Japan
Donald E. Hall, University of Rochester, USA
Gary E. Swanson, University of Northern Colorado, USA (fmr.)

–––– ECAH2019 Speakers –––

Anne Boddington, Kingston University, UK
Donald E. Hall, University of Rochester, USA
Alfonso J. García Osuna, Hofstra University, USA

––– IAFOR Publishing Opportunities –––

Conference Proceedings
https://papers.iafor.org/proceedings_category/ecah-official-conference-proceedings/
ISSN: 2188-1111

If your abstract has been accepted, and you presented the work at the conference (including Virtual Presentations), you are encouraged to submit a full paper for inclusion in the official Conference Proceedings. Our Conference Proceedings are Open Access research repositories, which act as permanent records of the research generated by IAFOR conferences. Please note that works published in the Conference Proceedings cannot be considered for publication in IAFOR journals.

Peer-reviewed journal: IAFOR Journal of Arts and Humanities
http://ijah.iafor.org
ISSN: 2187-0616

The IAFOR Journal of Arts and Humanities is an internationally reviewed and editorially independent interdisciplinary journal associated with IAFOR's international conferences on the arts and humanities. Like all IAFOR publications, it is freely available to read online, and it is free of publication fees for authors. The first issue was published in July 2012, and the journal continues to publish annually.

THINK

THINK (https://think.iafor.org), The Academic Platform, is IAFOR's online magazine, publishing the latest in interdisciplinary research and ideas from some of the world's foremost academics, many of whom have presented at IAFOR conferences. Content is varied in both subject and form, with everything from full research papers to shorter opinion pieces, interviews and media-themed articles.

––– About IAFOR –––

The International Academic Forum (IAFOR) is a research organisation, conference organiser and publisher dedicated to encouraging interdisciplinary discussion, facilitating intercultural awareness and promoting international exchange, principally through educational exchange and academic research.

To learn more about IAFOR, please visit https://iafor.org

Join the conversation on Twitter and Instagram with #IAFOR
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Tuesday, 5 February 2019

The European Conference on Media, Communication and Film (EuroMedia2019)

Call for Papers | The 6th European Conference on Media, Communication and Film (EuroMedia2019)
July 12-13, 2019
The Jurys Inn Brighton Waterfront, Brighton, UK
https://euromedia.iafor.org/

––– Event Details –––

Early Bird Abstract Submission Deadline: February 28, 2019*
Final Abstract Submission Deadline: April 30, 2019

Early Bird Registration for Presenters: March 29, 2019*
Final Registration Deadline for Presenters: May 31, 2019

Submit your abstract through the online submission system: https://euromedia.iafor.org/call-for-papers/

*Submit early to take advantage of the discounted registration rates.

Download the Conference Flyer:
https://euromedia.iafor.org/archives/conference-flyers/euromedia/pdf/euromedia2019-conference-flyer.pdf

This conference is organised by The International Academic Forum (IAFOR) in association with the IAFOR Research Centre at the Osaka School of International Public Policy (OSIPP) in Osaka University, Japan.

––– Conference Theme: "Reclaiming the Future" –––

We live in a period characterised by rises in regionalism, nationalism and authoritarianism; a time of great global uncertainty and anxiety, as well as inequality and iniquity which both reflects and drives political divide, and undermines international systems of cooperation. Clashes of identities, beliefs and ideologies are evident in academia, media and the arts, contributing to a feeling that humanity is spiralling out of control; that our relationships with each other, as well as with the earth and environment, have never been worse.

Yet, as humans, we are not conditioned by fear alone, but instead by a remarkable ingenuity, and a capacity for hope, self-reflection, activism and action. This agency to improve our own lives, and those of others, is the theme of this international conference, inviting us to consider the ways in which we contextualise and process the past, reimagining ourselves, our relationships, and our environments; driving positive change and reclaiming the future as a time we look towards with hope, and even optimism.

The 6th European Conference on Media, Communication and Film (EuroMedia2019) will be held alongside The 6th European Conference on Arts and Humanities (ECAH2019). Registration for either conference will allow delegates to attend sessions in the other.

In conjunction with our Global Partners, including the University of Sussex and Birkbeck, University of London, we look forward to extending you a warm welcome in 2019.

– The EuroMedia2019 Organising Committee

Anne Boddington, Kingston University, UK
Bruce Brown, Royal College of Art, UK
Matthew Coats, University of Brighton, UK
Joseph Haldane, The International Academic Forum (IAFOR), Japan
Donald E. Hall, University of Rochester, USA
Gary E. Swanson, University of Northern Colorado, USA (fmr.)

–––– EuroMedia2019 Speakers –––

Anne Boddington, Kingston University, UK
Donald E. Hall, University of Rochester, USA
Alfonso J. García Osuna, Hofstra University, USA

––– IAFOR Publishing Opportunities –––

Conference Proceedings
https://papers.iafor.org/proceedings_category/euromedia-official-conference-proceedings/
ISSN: 2188-9643

If your abstract has been accepted, and you presented the work at the conference (including Virtual Presentations), you are encouraged to submit a full paper for inclusion in the official Conference Proceedings. Our Conference Proceedings are Open Access research repositories, which act as permanent records of the research generated by IAFOR conferences. Please note that works published in the Conference Proceedings cannot be considered for publication in IAFOR journals.

Peer-reviewed journal: IAFOR Journal of Media, Communication and Film http://ijmcf.iafor.org
ISSN: 2187-0667

The IAFOR Journal of Media, Communication and Film is a peer-reviewed, editorially independent journal associated with IAFOR's conferences on media, mass communication and film. All papers published in the journal have been subjected to the rigorous and accepted processes of academic peer review.

THINK

THINK (https://think.iafor.org), The Academic Platform, is IAFOR's online magazine, publishing the latest in interdisciplinary research and ideas from some of the world's foremost academics, many of whom have presented at IAFOR conferences. Content is varied in both subject and form, with everything from full research papers to shorter opinion pieces, interviews and media-themed articles.

––– About IAFOR –––

The International Academic Forum (IAFOR) is a research organisation, conference organiser and publisher dedicated to encouraging interdisciplinary discussion, facilitating intercultural awareness and promoting international exchange, principally through educational exchange and academic research.

To learn more about IAFOR, please visit https://iafor.org

Join the conversation on Twitter and Instagram with #IAFOR
To unsubscribe from Conference Alerts click here.
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Wednesday, 30 January 2019

Thirteenth International Conference on e-Learning and Innovative Pedagogies - University of the Aegean - Rhodes Campus

Thirteenth International Conference on e-Learning and Innovative Pedagogies

University of the Aegean – Rhodes Campus, Rhodes, Greece
23-24 April 2020
https://ubi-learn.com/Rhodes2020

CALL FOR PAPERS

The Thirteenth International Conference on e-Learning and Innovative Pedagogies will be held at the University of the Aegean – Rhodes Campus, Rhodes, Greece, 23-24 April 2020. We invite proposals for paper presentations, workshops/interactive sessions, posters/exhibits, virtual lightning talks, virtual posters, innovation showcase, or colloquia addressing one of the following themes:

Theme 1: Pedagogies
Theme 2: Institutions
Theme 3: Technologies
Theme 4: Social Transformations

CONFERENCE SUBMISSION DEADLINES

The next proposal deadline is 23 June 2019. We welcome the submission of presentation proposals at any time of the year up until 30 days before the start of the conference. All proposals will be reviewed within two to four weeks of submission.

JOURNAL

Ubiquitous Learning: An International Journal encourages the widest range of submissions and aims to foster the highest standards of intellectual excellence. Articles may be submitted by in-person and virtual participants as well as Research Network Members.

The Journal is indexed by:

- Australian Research Council (ERA)
- Educational Psychology and Administration Directory (Cabell's)
- Education Source (EBSCO)
- Scopus
- Ulrich's Periodicals Directory


CONFERENCE PARTNERS

- University of the Aegean
- Australasian Association of Distance Education Schools (AADES)
- St John's University


CONFERENCE LANGUAGE OPTIONS

Proposals for presentation can be submitted in English or Spanish.


For more information and to submit a proposal visit:
https://ubi-learn.com/Rhodes2020

Please forward this announcement to your colleagues and students who may be interested.

Enquiries: support@ubi-learn.com
Web address: https://ubi-learn.com/Rhodes2020
Join us on Facebook: https://www.facebook.com/UbiquitousLearning/
e-Learning and Innovative Pedagogies / Common Ground Research Networks
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This announcement is distributed via Conal Conference Alerts.
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Friday, 25 January 2019

Fourteenth International Conference on Design Principles & Practices, Pratt Institute

Fourteenth International Conference on Design Principles & Practices

Pratt Institute, Brooklyn Campus, New York, USA
16–18 March 2020
http://designprinciplesandpractices.com/newyork-2020

CALL FOR PAPERS

The Fourteenth International Conference on Design Principles & Practices will be held at Pratt Institute, Brooklyn Campus, New York, USA, 16–18 March 2020. We invite proposals for paper presentations, workshops/interactive sessions, posters/exhibits, virtual lightning talks, virtual posters, innovation showcase, or colloquia addressing one of the following themes:

Theme 1: Design Education
Theme 2: Design in Society
Theme 3: Designed Objects
Theme 4: Visual Design
Theme 5: Design Management and Professional Practice
Theme 6: Architectonic, Spatial, and Environmental Design


CONFERENCE SUBMISSION DEADLINES

The next proposal deadline is 16 May 2019. We welcome the submission of presentation proposals at any time of the year up until 30 days before the start of the conference. All proposals will be reviewed within two to four weeks of submission.


A COLLECTION OF JOURNALS

The Design Principles & Practices Journal Collection consists of six journals and an annual review. The Design Principles & Practices Journal Collection encourages the widest range of submissions and aims to foster the highest standards of intellectual excellence. Articles may be submitted by in-person and virtual participants as well as Research Network Members.

Journals in the Collection are indexed by:

Art Abstracts (EBSCO), Art Full Text (EBSCO), Art Index (EBSCO), Art Source (EBSCO), Australian Research Council (ERA), China National Knowledge Infrastructure (CNKI Scholar), EBSCO Polytechnic Studies Collection: India, Genamics Journal Seek, Scopus, Ulrich's Periodicals Directory


CONFERENCE PARTNERS

- Pratt Institute
- Saint Petersburg University
- ELISAVA Barcelona School of Design and Engineering
- DESIS Lab ELISAVA
- DESIS Network
- Institute without Boundaries at George Brown College
- Cumulus
- European Academy of Design
- Pontifical Catholic University of Rio de Janeiro


CONFERENCE LANGUAGE OPTIONS

Proposals for presentation can be submitted in English 0r Spanish.

For more information and to submit a proposal visit:
http://designprinciplesandpractices.com/newyork-2020

Please forward this announcement to your colleagues and students who may be interested.

Enquiries: support@designprinciplesandpractices.com/
Web address: http://designprinciplesandpractices.com/newyork-2020
Join us on Facebook: https://www.facebook.com/DesignPrinciplesAndPractices
Design Principles & Practices Research Network / Common Ground Research Networks
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Monday, 21 January 2019

Fashion, Performance and Photography

2nd Global Conference
Fashion, Performance and Photography
Saturday 31st August 2019 - Sunday 1st September 2019
Lisbon, Portugal

In the early 20th century, fashion and photography were indelibly wedded through the efforts of a number of photographers, fashion designers, and magazine publishers. Once these cultural power shapers created the form, fashion photography took on a life of its own and became - perhaps always was - art. This art form has since been elevated to heights such that being a fashion photographer can be seen as a very important chapter in many well-known photographers' career: designers rely on them; models request them; magazines use their work: celebrities choose them for shoots; and the power they have to represent others is beyond compare in today's, 21st century image-driven world.

Following our first Fashion and Photography conference in 2018, we are now including the subject of Performance for the next phase of the project's evolution, further broadening the interdisciplinary mix and range of potential discussions and activities. Whether dance, theatre, drama theory, directing or performance practice, the different aspects of the performing arts will be explored and developed, especially with the new challenges of technology along with the changes in audiences and performers in the 21st century.

Our Global Fashion, Performance and Photography event will examine the dynamics of all these (and related) fields. In a world which is experiencing the transforming realities of globalization, with people engaging at all levels and in diverse ways, the intersections and engagements created at the interface nexus of these three modes of representation are paramount. They involve cultural, social, commercial, artistic, financial, and political issues, and from the bottom to the top can determine power relations, careers, sexual norms and deviance, and more.

We live in a period of so-called hyper-consumption which encourages individuals to consume for their own personal pleasure. Fast fashion, trends in sustainable and recyclable fashion, the rise of performance fashion and fashion as performance art denotes a society now defined by movement, fluidity, and flexibility. Performance from ballet to theatre, the catwalk to festivals, is increasingly oriented towards pleasure and satisfaction, a fleeting hedonism which quickly changes focus. The experience is mixed with tensions, conflicts, and even anxiety. The uncertainties and fears of 21st century living are reflected in fashion, performance and all forms of visual representations.

This conference aims to consider ways in which we can re-imagine our practices in relation to others, our history, and the environment with a view to forming a selective publication to engender further collaboration and discussion, whilst also continuing the evolution of the project.

Unlike other conferences or gatherings, our event proposes to step outside the traditional conference setting and offer opportunities for photographers, designers, practitioners, theorists, independent scholars, academics, performers, writers, and others to intermingle, providing platforms for interdisciplinary interactions that are fruitful and conducive to broadening horizons and sparking future projects, collaborations, and connections.

We are excited to accept proposals for presentations, displays, exhibits, round tables, panels, interactive workshops and more. Below is a non-exhaustive list of possible approaches, all of them residing at the point of connection between Fashion, Performance and Photography. Themes may include, but are not limited to;

Race
Gender
Androgyny
History / Eras / Styles
Limits (nudity, leather, sexuality)
Trends
Cities / Centres of power – Milan, NY, Paris
Power / Power dynamics
Who's behind the camera / Who's in front / Who's in charge?
Age – from adolescent to ancient
Careers – models, photographers
Money
Art / Commodity / Marketing Tool
Ownership of image
Celebrity and Music – think Bowie / Adam Ant / Grace Jones / Annie Lennox / Madonna / Lady Gaga – all of whom have created themselves as fashion icons
Gender and celebrity – again, think Bowie / Adam Ant / Grace Jones / Annie Lennox whose fashion sense and androgyny made headlines and careers
Sports / Sports Figures
Body image – who determines what body type to photograph / who determines what's sexy?
Manipulation of image / identity
Industry
Crime / Criminals
Performance
Digital technologies
Selfies / Instagram – fashion icons with their own accounts and photos, such as Iman
History of the Fashion Industry in photos
Culture / Regional Issues / Empowerment /
Retail / Commodities / Commercialization of beauty
Technology
Performance – the Catwalk / Dance
Tourism – Fashion week is a big draw in NY, Milan, Paris, and photos are at the core
Display / Exhibit
And more. If you don't see something here that you think belongs, please drop us a line! We are happy to entertain other ideas that examine the rich, generative, and exciting space that these two fields of power and art create.

Our main goal is to facilitate dialogue and spark innovative collaborations and discussions at an international level, in a dynamic and interactive setting. Thus, we welcome participants from all relevant disciplines, professions and vocations (NGO personnel, aid workers, researchers, mental and physical health professionals, educators, human rights activists, counsellors, social workers, policy makers, journalists, lawyers, politicians, business owners, military personnel, photographers, designers, editors, journalists, customs workers and members of the border patrol, labour specialists, historians, sociologists, psychologists, economists, anthropologists, ethnographers social media experts, artists and many more).

What to Send
The aim of this interdisciplinary conference and collaborative networking event is to bring people together and encourage creative conversations in the context of a variety of formats: papers, seminars, workshops, storytelling, performances, poster presentations, panels, q and a's, round-tables etc.

300 word proposals, presentations, abstracts and other forms of contribution and participation should be submitted by Friday 8th March 2019. Other forms of participation should be discussed in advance with the Organising Chair.

All submissions will be minimally double reviewed, under anonymous (blind) conditions, by a global panel drawn from members of the Project Development Team and the Advisory Board. In practice our procedures usually entail that by the time a proposal is accepted, it will have been triple and quadruple reviewed.

You will be notified of the panel's decision by Friday 22nd March 2019.

If your submission is accepted for the conference, a full draft of your contribution should be submitted by Friday 12th July 2019.

Abstracts and proposals may be in Word, PDF, RTF or Notepad formats with the following information and in this order:
a) author(s), b) affiliation as you would like it to appear in the programme, c) email address, d) title of proposal, e) body of proposal, f) up to 10 keywords.

E-mails should be entitled: Fashion/Performance Submission.

Where to Send
Abstracts should be submitted simultaneously to the Organising Chair and the Project Administrator:

Dr Luca Lo Sicco: lucalo.sicco@gmail.com
Project Administrator: lisbonfashion@progressiveconnexions.net

What's so Special About Progressive Connexions Events?
A fresh, friendly, dynamic format – at Progressive Connexions we are dedicated to breaking away from the stuffy, old-fashion conference formats, where endless presentations are read aloud off PowerPoints. We work to bring you an interactive format, where exchange of experience and information is alternated with captivating workshops, engaging debates and round tables, time set aside for getting to know each other and for discussing common future projects and initiatives, all in a warm, relaxed, egalitarian atmosphere.

A chance to network with international professionals – the beauty of our interdisciplinary events is that they bring together professionals from all over the world and from various fields of activity, all joined together by a shared passion. Not only will the exchange of experience, knowledge and stories be extremely valuable in itself, but we seek to create lasting, ever-growing communities around our projects, which will become a valuable resource for those belonging to them.

A chance to be part of constructing change – There is only one thing we love as much as promoting knowledge: promoting real, lasting social change by encouraging our participants to take collective action, under whichever form is most suited to their needs and expertise (policy proposals, measuring instruments, research projects, educational materials, etc.) We will support all such actions in the aftermath of the event as well, providing a platform for further discussions, advice from the experts on our Project Advisory Team and various other tools and intellectual resources, as needed.

An opportunity to discuss things that matter to you – Our events are not only about discussing how things work in the respective field, but also about how people work in that field – what are the struggles, problems and solutions professionals have found in their line of work, what are the areas where better communication among specialists is needed and how the interdisciplinary approach can help bridge those gaps and help provide answers to questions from specific areas of activity.

An unforgettable experience – When participating in a Progressive Connexions event, there is a good chance you will make some long-time friends. Our group sizes are intimate, our venues are comfortable and relaxing and our event locations are suited to the history and culture of the event.

Ethos
Progressive Connexions believes it is a mark of personal courtesy and professional respect to your colleagues that all delegates should attend for the full duration of the meeting. If you are unable to make this commitment, please do not submit an abstract or proposal for presentation.

Please note: Progressive Connexions is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence, nor can we offer discounts off published rates and fees.

Enquiries: lisbonfashion@progressiveconnexions.net

Web address: http://www.progressiveconnexions.net/interdisciplinary-projects/global-transformations/fashion-and-photography/conferences/

Sponsored by: Progressive Connexions
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misleading information and we will attempt to correct it.
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