Tuesday, 10 September 2019

MEMORY STUDIES '19 / IV. International Conference on Memory Studies

MEMORY STUDIES '19 / IV. International Conference on Memory Studies
29th November 2019
Istanbul, Turkey

All papers will be published in the proceedings e-book (with an ISBN number), which will be given as a DVD at the conference. Participants can also apply to DAKAM's IJSSIS Journal.

Enquiries: info@dakam.org
Web address: https://www.dakamconferences.org/memory
Sponsored by: DAKAM
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Monday, 9 September 2019

Conal Monthly


9 Sep 2019
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SSERS International Conference on Journalism and Mass Communications, Business Economics, Management and Social Sciences
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Humour: 2nd Global Interdisciplinary Conference
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The Art of Being Human: Forgiveness, Decency, Trust and Gratitude
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Drawing and Performance: Creating Scenography
26th March 2020
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Global Horror: Local Perspectives. An Inclusive Interdisciplinary Conference
4th April 2020
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8th The Figure of the Terrorist in Literature, Film and Media Zurich, Switzerland
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Friday, 6 September 2019

GKA VISUAL 2020 | VI International Congress on Visual Culture | Paris - April 2020

GKA VISUAL 2020 | 6th INTERNATIONAL CONGRESS ON VISUAL CULTURE
APRIL 16-17, 2020 | Paris, France | Université Paris Diderot

This international congress is held annually in different cities around the world and is a space for the exchange of ideas and practices among international researchers, functioning as an interdisciplinary forum and as a seed for future collaborative projects. The event aims to develop innovative spaces for the creation and exchange of knowledge among experts, professors and international researchers on a wide range of disciplines related to visual culture.

We invite all those who wish to submit a proposal to present their work, be it a lecture, workshop, or poster addressing visual culture through some of the following topics:

Theme 1: Image and Society
Theme 2: Visual Culture
Theme 3: History and Philosophy of Visual
Theme 4: The Industry of Image
(2020 Highlighted Theme) Image and gesture. Expression in thought and behavior.

Selected conference papers will be published in the associated indexed journal.

The NEXT DEADLINE for submitting a proposal to the congress (i.e., a title and an abstract) is October 1st, 2019.

TO SUBMIT A PROPOSAL please visit:
http://onvisualculture.com/congress/proposal-submission/

TO REGISTER FOR THE CONGRESS please visit:
http://onvisualculture.com/congress/registration/

For further information, please visit:
http://onvisualculture.com/congress/program/


Scientific Committee
International Congress on Visual Culture
---------------------------------------------------
Enquiries: support@onvisualculture.com
Website: http://onvisualculture.com/congress/call-for-papers/
Sponsored by: International Community of Visual Culture | Université Paris Diderot
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Please feel free to contact us if you notice incorrect or
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Thursday, 5 September 2019

GKA HUMAN 2019 | 8th International Congress on Human Sciences | Madrid - December 2019

GKA HUMAN 2019 | 8th International Congress on Human Sciences
2nd to 3rd December 2019 | Madrid, Spain | Universidad Autónoma de Madrid

This international congress is a space for the exchange of ideas and practices among international researchers, functioning as an interdisciplinary forum and as a seed for future collaborative projects. The event aims to develop innovative spaces for the creation and exchange of knowledge among experts, professors and international researchers on a wide range of disciplines related to arts and cultures within society.

In 2019, the main topic of the congress will be "Axiological reflections on transhumanism"

Advances in science and in technology oblige we human beings to set new questions about what being human means. Not only do we have to answer metaphysical questions about who we are, but we must also ask ourselves who we want to be. As the possibility of using brain implants becomes increasingly nearer, competition and collaboration with artificial intelligence, the chances of extending life while ending many of the inconveniences of old age, genetic editing, and the capacity to exist on other planets are all realities which require us to take a fresh and profound look at such issues.

You may also submit a proposal on one of the recurring themes of the congress:

Theme 1: Literature
Theme 2: Thought and History
Theme 3: Digital Humanities, Libraries, and Publishing
Theme 4: Humanities and Education
Theme 5: Social Humanities
Theme 6: Humanities, Science and Technology

Selected conference papers will be published in The International Human Sciences Review after a blind peer-review process.

The FINAL DEADLINE for submitting a proposal to the Congress (i.e., a title and an abstract) is OCTOBER 18, 2019. 

TO SUBMIT A PROPOSAL, please visit:
http://thehumansciences.com/congress/proposal-submission/

TO REGISTER FOR THE CONGRESS, please visit:
http://thehumansciences.com/congress/registration/

For further information, please visit:
http://thehumansciences.com/congress/program/

Scientific Committee
International Congress on Human Sciences
-------------------------------------------------------------------------------
Inquiries: support@thehumansciences.com
Web address: http://thehumansciences.com/congress/call-for-papers/
Sponsored by: International Community of Human Sciences | Universidad Autónoma de Madrid
To unsubscribe from Conference Alerts click here.
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of announcements or for the bona fides of event organizers.
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Global Horror: Local Perspectives. An Inclusive Interdisciplinary Conference

Global Horror: Local Perspectives
An Inclusive Interdisciplinary Conference

Saturday 4th April 2020 - Sunday 5th April 2020
Lisbon, Portugal

Horror pervades human experience. It affects us both as individuals and as members of social communities, it is recurrent in pop culture and arguably present in all fields of human knowledge and realms of storytelling, from Cronus eating his own children, to Freddy Krueger's sadistic murders in A Nightmare on Elm Street to media coverage of war. As a fundamentally paradoxical concept, horror simultaneously repels and fascinates us: we naturally dread it, yet we are drawn to it. We are taught to avoid that which is horrifying, but the appeal of horror, whether in the form of fiction or sensational news, is irresistible. Indeed, we simultaneously narrate, describe, imagine, consume, dread and crave horror in all of its dimensions, and with the most varied goals.

Horror taps into primal emotions of fear and disgust that are universal to the human condition, and finds expression across cultures and historical periods. Yet the texts that shape the ways in which horror is broadly understood historically reflect predominantly Anglo-European and American cultural, social, historical and geographical contexts.

Growing awareness and appreciation of the rich horror traditions of other countries around the world, including Japan, Korean, India, Brazil and Ecuador, has highlighted the importance of considering horror in a global context. Accordingly, the Global Horror: Local Perspectives Project provides a platform for exploring the ways in which horror motifs and themes are expressed through the 'local perspectives' that inform the creative practices and daily life of particular nations and cultures.

It is not the intent of the Project to exclude Anglo-European and American perspectives from the conversation of global horror but rather to centre other horror traditions which have frequently been de-centred or completely overlooked in the past. The scope of the Project therefore includes work that explores marginalised local perspectives within Anglo-European and American horror, and work that examines Anglo-European and American horror from a global perspective with a view to forming an innovative interdisciplinary publication to engender further research and collaboration.

Key Topics
Horror manifests itself in myriad ways, with ramifications that transcend the lines that demarcate disciplines, subjects and professions. It is only through interdisciplinary engagement that we can develop a more complete understanding of the mechanisms that nations and cultures around the world use to express, process, and cope with horror. The conference therefore offers a springboard for participants from diverse professions, practices and walks of life to engage in interdisciplinary dialogues on topics that include:

- Case studies of un(der)-represented horror traditions in nations and cultures
- How the history, religion, cultural norms of a nation/culture influence local perceptions and representations of horror in literature, film, television, music, art and videogames
- Impact of digital technology on creating and disseminating local perspectives on horror
- How globalisation as a cultural and economic force influences 'local perspectives' on horror
- Creative practitioners whose work shapes local perspectives on horror
- Dark humour and making fun of global horror
- Connections between horror in everyday life and fictional horror
- Impact of real or fictional global horrors on individuals (mental illness, trauma, nightmares, other physiological symptoms)
- Horror in religious/spiritual systems (martyrdom, grotesque/monstrous deities, rituals, etc.)
- Social practices associated with horror: cannibalism, (self-)mutilation, abusive rites of passage, suicide, heresies
- Horror in nation-building (slavery, war, genocide, etc.)
- Medical/clinical perspectives: interfaces of horror and medicine; dealing with patients struggling to cope with horrifying experiences
- Educational perspectives: how the curriculum shapes perceptions of horror, its uses and its impacts; horror in children's stories/horror as pedagogical tool, etc.
- Commodifying horror: dark tourism, etc.
- Technology as agent of horror (weapons, dissemination of fear, etc.)
- How national and international law facilitate and mitigate horror
- Activism as response to horror
- Horror and the media: news coverage, sensationalism
- Horror and space: streets, cities, towns, buildings, deserted areas
- The design of horror: images, branding, advertisement, commercial campaigns involving horror
- Urban legends and local horrors
- Best practice for researching and studying global horror
- Interdisciplinarity as a tool to overcome the indescribability of horror

What To Send

The aim of this inclusive interdisciplinary conference and collaborative networking event is to bring people together and encourage creative conversations in the context of a variety of formats: papers, seminars, workshops, storytelling, performances, poster presentations, panels, q and a's, round-tables etc. Creative responses to the subject, such as poetry/prose, short film screenings/original drama, installations and alternative presentation styles that engage the audience and foster debate are particularly encouraged. Please feel free to put forward proposals that you think will get the message across, in whatever form.

At the end of the conference we will be exploring ways in which we can develop the discussions and dialogues in new and sustainable inclusive interdisciplinary directions, including research, workshops and publications which will help us make sense of the topics discussed during the meeting.

300 word proposals, presentations, abstracts and other forms of contribution and participation should be submitted by Friday 8th November 2019. Other forms of participation should be discussed in advance with the Organising Chairs.

All submissions will be at least double reviewed, under anonymous (blind) conditions, by a global panel drawn from members of the Project Team, The Development Team and the Advisory Board. In practice our procedures usually entail that by the time a proposal is accepted, it will have been triple and quadruple reviewed.

You will be notified of the panel's decision by Friday 22nd November 2019.

If your submission is accepted for the conference, a full draft of your contribution should be submitted by Friday 21st February 2020.

Abstracts and proposals may be in Word, RTF or Notepad formats with the following information and in this order:
a) author(s), b) affiliation as you would like it to appear in the programme, c) email address, d) title of proposal, e) type of proposal e.g. paper presentation, workshop, panel, film, performance, etc, f) body of proposal, g) up to 10 keywords.

E-mails should be entitled: Global Horror Submission

Where To Send

Abstracts should be submitted simultaneously to the Organising Chair and the Project Administrator:

Claudio Zanini: haunted32@yahoo.com.br
Len Capuli (Project Administrator): lisbonhorror@progressiveconnexions.net

What's so Special About a Progressive Connexions Event?
A fresh, friendly, dynamic format – at Progressive Connexions we are dedicated to breaking away from the stuffy, old-fashion conference formats, where endless presentations are read aloud off PowerPoints. We work to bring you an interactive format, where exchange of experience and information is alternated with captivating workshops, engaging debates and round tables, time set aside for getting to know each other and for discussing common future projects and initiatives, all in a warm, relaxed, egalitarian atmosphere.

A chance to network with international professionals – the beauty of our interdisciplinary events is that they bring together professionals from all over the world and from various fields of activity, all joined together by a shared passion. Not only will the exchange of experience, knowledge and stories be extremely valuable in itself, but we seek to create lasting, ever-growing communities around our projects, which will become a valuable resource for those belonging to them.

A chance to be part of constructing change – There is only one thing we love as much as promoting knowledge: promoting real, lasting social change by encouraging our participants to take collective action, under whichever form is most suited to their needs and expertise (policy proposals, measuring instruments, research projects, educational materials, etc.) We will support all such actions in the aftermath of the event as well, providing a platform for further discussions, advice from the experts on our Project Advisory Team and various other tools and intellectual resources, as needed.

An opportunity to discuss things that matter to you – Our events are not only about discussing how things work in the respective field, but also about how people work in that field – what are the struggles, problems and solutions professionals have found in their line of work, what are the areas where better communication among specialists is needed and how the interdisciplinary approach can help bridge those gaps and help provide answers to questions from specific areas of activity.

An unforgettable experience – When participating in a Progressive Connexions event, there is a good chance you will make some long-time friends. Our group sizes are intimate, our venues are comfortable and relaxing and our event locations are suited to the history and culture of the event.

Ethos
Progressive Connexions believes it is a mark of personal courtesy and professional respect to your colleagues that all delegates should attend for the full duration of the meeting. If you are unable to make this commitment, please do not submit an abstract or proposal for presentation.

Please note: Progressive Connexions is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence, nor can we offer discounts off published rates and fees.

Please send all enquiries to the project email address: lisbonhorror@progressiveconnexions.net

For further details and information please visit the conference web page: http://www.progressiveconnexions.net/interdisciplinary-projects/evil/global-horror/conferences/

Sponsored by: Progressive Connexions
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Tuesday, 3 September 2019

GKA ARTS 2019 | International Congress on Arts and Cultures | Madrid - November 2019

GKA ARTS 2019 | INTERNATIONAL CONGRESS ON ARTS AND CULTURES
NOVEMBER 28-29, 2019 | MADRID, SPAIN | Universidad Complutense de Madrid

The congress will feature prominent speakers and communications, workshops and seminars given by professors, researchers and specialists from the public and private sectors in three different languages: English, Spanish and Portuguese.

In 2019, the main topic of the congress will be "Creativity, Art, and Innovation in Communication" with the participation of the following keynote speakers: Prof. Christian Byrge (Marbella University International Center, Spain); Prof. Gustavo Norberto Duperré (Universidad del Salvador and Head Office of Culture and Education - Argentina); Iván Miñambres (UniKo Studio - Spain); Prof. Valérie-Inés de la Ville (Université de Poitiers - France).

We invite all those who wish to submit a proposal to present their work, be it a lecture, workshop, or poster addressing visual culture through some of the following topics:

Topic 1: Art, Culture, and Society
Topic 2: Management of Culture and the Arts
Topic 3: Cultural and Artistic Heritage
Topic 4: Curating, History of Art, and the Art Market
Topic 5: Theory of Art and Contemporary Esthetic
Topic 6: Art, Technology, and the Media

Selected conference papers will be published in "The International Arts and Cultures Review".

The FINAL DEADLINE for submitting a proposal to the Congress (i.e., a title and an abstract) is OCTOBER 14, 2019.

TO SUBMIT A PROPOSAL, please visit:
http://onartsandcultures.com/congress/proposal-submission/

TO REGISTER FOR THE CONGRESS, please visit:
http://onartsandcultures.com/congress/registration/

For further information on keynote speakers and program, please visit:
http://onartsandcultures.com/congress/program/

Scientific Committee
International Congress on Arts and Cultures
--------------------------------------------------
Inquiries: support@onartsandcultures.com
Web address: http://onartsandcultures.com/congress/call-for-papers/
Sponsored by: International Community of Arts and Cultures | Universidad Complutense de Madrid
To unsubscribe from Conference Alerts click here.
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CONNECTIONS: Exploring heritage, architecture, cities, art, media

International conference in HISTORIC CANTERBURY, UK. SUMMER 2020. University of Kent.

CONNECTIONS: Exploring heritage, architecture, cities, art, media
29-30 June 2020

-

This event explores links between digital design and representation in various fields: architecture, cities, history, heritage, art, film, media, cultural studies.

Publishers: Routledge / Intellect Books

ABSTRACTS: Round 1: Feb 10th / Round 2: Apr 10th

Present: in-person, skype, pre-recorded film (for delegates who cannot travel)

-

Web address: https://architecturemps.com/canterbury-conference/

Enquiries: admin@architecturemps.com

Sponsored by: University of Kent / AMPS

_

HIGHLIGHT NOTICE 1: Pedaggy Publication
Educators who discuss issues of teaching and learning will be considered for the Routledge book series "Focus on Design Pedagogy".

HIGHLIGHT NOTICE 2: Media Publication
This event is part of the conference and book series 'Mediated Cities'. Previous events in London, Los Angeles, Bristol, Istanbul. Four books in Intellect Book series. Book five will come from this event.

HIGHLIGHT NOTICE 3: Connected Events
The conference and its publications both form part of a series including:

- Florida State University. "Experiential Design – Rethinking relations between people, objects and environments". 16-17 January 2020
- City University of London. "The City and Complexity – Life, Design and Commerce in the Built Environment". 17-19th June, 2020

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FULL CALL:

Today the digital is ubiquitous across all disciplines connected with life in cities: urban history, architecture, planning, art, design, media, communications, and more. Examples abound.

As the Western world comes to deeper understandings of its heritage in the 21st Century, technology is ever more present in our reading of the past. Data mapping is standard in conservation and social history. Archaeologists use digital tools in geophysics, laser scanning, and compositional analysis. Landscape and architectural visualizations populate museums across the world. In architecture, computational design uses algorithms to replicate biology. Coding produces self-generated architectural form. Information modeling presents planners with interactive design in real time. The city is seen as 'smart'.

In film and animation, digital models create fictitious places on scales unimagined. Installation artists make space interactive through digitising motion, sound and heat. Projection mapping allows artists to reinterpret the past in-situ. Photographers use digital cameras to document city stories. Marketing, technology and communication mediates the city experience 24/7. In every field, educators are responding.

As the tools we use today merge and blur across disciplines, this conferences asks educators and professionals to consider the following. How can we best manage, direct and utilize the unique potentialities of this interdisciplinary and technological moment? Are we rethinking objects of art and design from the past and future? Are we reconsidering modes of communication, styles of teaching and ways of living? Are we seeing new links between designed objects, visualized spaces and cultural meanings? Are we understanding creative, documentary and media practices in new ways? Are we developing our own knowledge through the technologies, tools or thinking of other disciplines?

Based on this interdisciplinary approach, the conference welcomes educators and professionals in:

Architecture, Urban design, History, Archaeology, Heritage, Art, Design, Technology, Communications, Media, Film, Cultural studies

-

https://architecturemps.com/canterbury-conference/

admin@architecturemps.com
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