ACSS 2013 - The Fourth Asian Conference on the Social Sciences 2014

ACSS 2013 - The Fourth Asian Conference on the Social Sciences 2014 6th to 9th June 2013 Osaka, Japan The Fourth Asian Conference on the Social Sciences is an international and interdisciplinary conference organized by the International Academic Forum and its global university affiliates, including Auburn University College of Arts and Sciences (USA), Birkbeck, University of London (UK), Hong Kong Institute of Education, Hong Kong (HKSAR), University of Lincoln (UK), The National Institute of Education (Singapore), The National University of Tainan (Taiwan), Waseda University (Japan), and Zagreb University (Croatia) CFP February 1 2013 Theme: "Society, Environment and Trust: Towards Sustainable Systems of Governance" Dear Colleagues, The Asian Conference on the Social Sciences, now in its fourth year, has hosted a combined total of more than 1,000 academics and thought leaders from around the globe in a celebration of interdisciplinary study in the social sciences. In 2013 we hope to build on the conversations and partnerships we have nurtured over the past three years, and to forge new relationships as we again encourage academics and scholars to meet and exchange ideas and views in an international academic forum. This year's conference will again include a variety of presenters representing a wide range of social science disciplines, expressing divergent views, searching for common ground, and creating the synergies that can inspire multi-disciplinary collaborations. In developing these relationships among ourselves, the role of the social sciences is strengthened as we take our place at the table, along with scholars in the STEM disciplines (i.e. science, technology, engineering, and mathematics), in seeking solutions to the complex issues and problems of the 21st century. I sincerely hope that we will use this time together, not just for intellectual discovery and discourse, but to establish a common vision and to motivate each other to do our part in the creation of a better world. We look forward to seeing you in Osaka! Professor Stuart D. B. Picken, Chairman, IAFOR International Advisory Board ACSS/ACSEE 2013 Conference Chair Dr Andrea Molle, Chapman University, USA Editor of the IAFOR Journal of the Social Sciences and 2013 Conference Programme Adviser Dr Alex Petrisor, Urban-INERC (Romania), Editor of the IAFOR Journal of Sustainability, Energy and the Environment and 2013 Conference Programme Adviser Publishing Opportunities Authors of Accepted Abstracts will have the opportunity of publishing their associated paper in the official conference proceedings, and a selection of papers will be considered for inclusion in the internationally reviewed IAFOR journals associated with the conference. For more information about the IAFOR Journal of the Social Sciences, and the the IAFOR Journal of Sustainability, Energy and the Environment, please see the conference website. CALL FOR PAPERS: SUBMISSIONS SYSTEM OPEN NOW Special Theme: "Society, Environment and Trust: Towards Sustainable Systems of Governance" The conference theme is "Sustaining the Future" and the organizers encourage submissions that approach this question from a variety of perspectives. However, the submission of other topics for consideration is welcome and we also encourage sessions within and across a variety of disciplines and fields related to the Social Sciences, including the following streams: Anthropology Archaeology Cultural Studies and Humanities Economics and Management Education and Social Welfare Ethnicity, Difference, Identity Globalisation and Internationalization Immigration, Refugees, Race, Nation Interdisciplinary Perspectives on Gender International Relations Linguistics Media and Communications Natural, Environmental and Health Sciences Politics, Philosophy, Ethics, Consciousness Politics, Public Policy and Law Psychology Cognitive Science and the Behavioural Sciences Research Methodologies Quantitative and Qualitative Social History Sustainability Teaching and Learning Technology and Applied Sciences Enquiries: acss@iafor.org Web address: http://acss.iafor.org Sponsored by: The International Academic Forum (IAFOR) and its global university affiliates

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Transmedia: Storytelling and Beyond

Transmedia: Storytelling and Beyond 31st January to 1st February 2013 Sydney, Australia Narratives and interactive experiences developed across different media platforms - each of which contributes something unique and valuable to the whole - have become standard fixtures in the contemporary digital landscape. The term 'transmedia storytelling' has enjoyed particular currency within academic circles while the media industry speaks in terms of multiplatform experiences. Much has been written on the subject in the academic and industry press, though new technologies and the pressure to do something innovative with the digital medium mean that the idea and practice of transmedia are in flux. While the debate over what to call this phenomenon remains unresolved, there is no denying its profound impact on the relationship between media producers, audiences/users, digital content and the devices used to consume and produce it. Naming conventions remain a contentious issue, however, there is also a need to examine other aspects of this emerging industry to ensure its ongoing sustainability. This call for presentations represents an invitation to introduce, highlight or clarify key questions concerning issues such as models for benchmarking, techniques for user engagement, value measurement, pedagogy and curriculum design, and evaluative techniques for complex and dynamic user engagement. Transmedia is, by its very nature, an interdisciplinary enterprise that draws from fields such creative writing, IT, film, television, media studies, economics, public policy, creative design, and education. Thus, the  project seeks to create a space for critical engagement that is enriched by the participation of academics, industry professionals and other stakeholders, as well as audience/users from across the disciplinary spectrum. We are delighted to launch the project in Sydney with 2 one-day events organised around separate, yet related themes. We therefore welcome proposals for presentations, papers and panels on the following topics:   Day One 31st January 2013 - (Re)Defining and understanding the meaning of transmedia/multiplatform production - Narrative/Aesthetic/Thematic analysis of transmedia/multiplatform experiences - Social networking trends and their impact on transmedia/multiplatform development - Technologies that drive transmedia/multiplatform consumption, production and the post-broadcast era as a whole - Innovation in transmedia/multiplatform production - The future of transmedia/multiplatform development, uses and engagement - Pedagogies and curriculum design for teaching transmedia/multiplatform - Cultural policy and the promotion of transmedia/multiplatform innovation   Day Two 1st February 2013 - Transmedia/multiplatform production business models - Studies of transmedia/multiplatform audiences - Defining and measuring audience/user engagement - Uses and limitations of web analytics; new approaches Abstracts and proposals not exceeding 300 words should be submitted jointly to the Organising Chairs by Friday 19th October 2012. Submissions may be in Word, WordPerfect, or RTF formats with the following information and in this order: a) author (s), b) affiliation, c) email address, d) title of abstract, e) body of abstract E-mails should be entitled: TM1 Abstract Submission. Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend.   Organising Chairs Ann-Marie Cook, Deirdre Hynes and Debra Polson: ann-mariecook@inter-disciplinary.net Rob Fisher: tm1@inter-disciplinary.net This event is part of Inter-Disciplinary.Net's Global Transmedia Research Initiative, whose aim is to bring together people from different disciplinary and professional backgrounds in an ongoing series of activities dedicated to generating dialogue and research on the many facets of transmedia production, reception and industrial sustainability. All papers accepted for and presented at this conference are eligible for publication in an ISBN eBook. Selected papers may be invited to go forward for development into a themed ISBN hard copy volume and dedicated journal. Please note: Since each day is a self-contained event, participants may opt to register for one or two days. We regret that as a not-for-profit network, Inter-Disciplinary.Net is not in a position to assist with conference travel or subsistence. As part of a global Transmedia research initiative, this project brings together academics and industry professionals to explore issues and case studies around production, reception and industrial sustainability of transmedia/multiplatform experience Enquiries: tm1@inter-disciplinary.net Web address: http://www.inter-disciplinary.net/research/research-nexus/digital-nexus/global-project-on-transmedia/transmedia-storytelling-and-beyond/ Sponsored by: Inter-Disciplinary.Net

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4th Global Conference: Storytelling

4th Global Conference Storytelling Tuesday 21st May - Friday 24th May 2013 Prague, Czech Republic Call for Presentations Human life is conducted through story, which comes naturally to us. Sharing stories is arguably the most important way we have of communicating with others about who we are and what we believe; about what we are doing and have done; about our hopes and fears; about what we value and what we don't. We learn about and make sense of our lives by telling the stories that we live; and we learn about other lives by listening to the stories told by others. Sometimes, under the influence of the culture in which we are immersed, we live our lives in ways that try to create the stories we want to be able to tell about them. Members of many professions, including medicine, nursing, teaching, the law, psychotherapy and counseling, spend a great deal of their time listening to and communicating through stories. Story is a powerful tool for teachers, because it is a good way of enabling students and other learners to integrate what they are learning with what they already know, and of placing what is learned in a context that makes it easy to recall. Story plays an important role in academic disciplines like philosophy, theology, anthropology, archaeology, history as well as literature. Narrative methods for the collection of data are increasingly used in research in the social sciences and humanities, where the value of getting to know people in a more intimate and less distant way - almost as if we are getting to know them from the inside, begins to be viewed as having some value. Some academics have begun to realise the value of storytelling as a model for academic writing. Most of us have lots of experience of relating to other lives through narrative forms, including the nursery stories we encounter as children; the books we read and the movies we watch. When we are moved by a play or a film or by a novel, we are moved because we begin imaginatively to live the lives of the characters that inhabit them. If we are lucky we will encounter as we grow up, fictional stories that stay with us like old friends, throughout our lives that we will revisit again and again as a way coming to terms with and responding to experiences in our own lives. 'Storytelling: global reflections on narrative', will provide a space in which stories about story can be told, and in which the use of stories in the widest possible range of aspects of human life, can be reported. Abstracts are invited for individual contributions and for symposia of three closely related papers. They may address any aspect of story or narrative, including, for example: - Story as a pedagogical tool in academic disciplines such as history; anthropology, psychology, theology, cultural theory, medicine, law, philosophy, education, and archaeology. - Narrative and the gathering of stories of lived experience, as a research approach in any area of academic, professional and public life. - The place of story and storytelling in the practice of journalism; PR advertising; conflict resolution; architecture; religion; tourism, politics and the law, and in clinical contexts such as medicine, psychotherapy, nursing and counseling. - Finally abstracts may feature storytelling in any aspect of culture, including music (from opera to heavy metal, folk and sacred music); fine art; theatre; literature; cinema and digital storytelling. Alongside traditional conference papers, participants are invited to propose presentations of other kinds including, for example, theatrical performance or song, or workshops aimed at engaging participants in active learning about story and its possibilities. The Steering Group particularly welcomes the submission of pre-formed panel proposals. Papers will also be considered on any related theme. What to Send: 300 word abstracts should be submitted by Friday 30th November 2012. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 15th February 2013 Abstracts should be submitted simultaneously to both Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats with the following information and in this order: a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract, f) up to 10 keywords. E-mails should be entitled: STORY4 Abstract Submission. Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend. Organising Chairs Gavin J Fairbairn: gavin@inter-disciplinary.net Rob Fisher: story4@inter-disciplinary.net The conference is part of the Persons series of ongoing research and publications projects conferences, run within the Probing the Boundaries domain which aims to bring together people from different areas and interests to share ideas and explore innovative and challenging routes of intellectual and academic exploration. All papers accepted for and presented at the conference will be eligible for publication in an ISBN eBook. Selected papers may be developed for publication in a themed hard copy volume. All publications from the conference will require editors, to be chosen from interested delegates from the conference. For further details of the conference, please visit: http://www.inter-disciplinary.net/probing-the-boundaries/persons/storytelling-global-reflections-on-narrative/story-2-call-for-papers/ Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.

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8th Global Conference: Cybercultures

8th Global Conference Cybercultures Wednesday 15th May - Friday 17th May 2013 Prague, Czech Republic Call for Presentations: This inter- and multi-disciplinary conference aims to examine, explore and critically engage with the issues and implications created by the growing adoption of information technologies for inter-human communication. The project will also focus on assessing the continuing impact of emergent cybermedia for human communication and culture. In particular the conference will encourage equally theoretical and practical debates which surround the cultural contexts within which cybermedial and technological advances are occurring. Papers, presentations, workshops and reports are invited on any of the following themes: 1. Cyberspace and Cyberculture Theories and Concepts of Cyberspace and Cyberculture. Identifying Key Features and Issues 2. Cybercultures and Online Communities Emerging Practices in Social Networking. The Shaping of Individual and Collective Identities. Webnography. Changing Social Identity in Cyberspace. State, Transnational and Commercial Control of Social and Private Spaces. Concepts and Meaning of Online Community. 3. Cyber-Subcultures Multi-National, Cross-Continental, Cross-Generational and Online Diaspora Communities. Youth, Fan and Alternative Cultures Online. Changing Social Identity in Cyberspace. 4. Design for Social Networking Design and Communication Strategies and Practices. Accessibility, Usability and Design Standardization. Creativity Support in Interactive Media. Mobile Communication Futures. Web 3.0 Projects and Concepts. Creative Commons. 5. Cybercultures and Politics Governance and Control in the Online Environment. Cyber-Democracy and the Impact on National and Global Politics. Surveillance and Privacy in the Online World. Cyber-Activism and Social Mobilisation. Digital Divide. Digital Rights in Virtual Environments. Cybercrime vs. Ethical Hacking. 6. Cybermedia and Cyberjournalism New Media Discourses. Digital Communications and Free Speech. Censorship and Content Regulation. Grassroots Journalism, Activism and Hactivism. 7. New Media Literacies Educational Use of Virtual Environments and Videogames. Cultures of Online Learning. Online Research Networking. Global and Local Learning in the Age of Convergent Cultures. 8. Digital and Interactive Arts Digital Artistic Practices and Aesthetics. Performative and Collaborative Use of Digital Media. Transmedia Storytelling. Biotechnologies. The Steering Group particularly welcomes the submission of pre-formed panel proposals. 300 word abstracts should be submitted by Friday 30th November 2012. All submissions are minimally double blind peer reviewed where appropriate. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 15th February 2013. Abstracts should be submitted simultaneously to the Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats with the following information and in this order: a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract, f) up to 10 keywords. E-mails should be entitled: Cubercultures 8 Abstract Submission. Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend. Organising Chairs Daniel Riha: rihad@inter-disciplinary.net Rob Fisher: cyber8@inter-disciplinary.net The conference is part of the 'Critical Issues' programme of research projects. It aims to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and exciting. All papers accepted for and presented at the conference will be eligible for publication in an ISBN eBook. Selected papers may be developed for publication in a themed hard copy volume(s). For further details of the conference, please visit: http://www.inter-disciplinary.net/critical-issues/cyber/cybercultures/call-for-papers/ Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.

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ACAH 2013 - The Fourth Asian Conference on Arts and Humanities

ACAH 2013 - The Fourth Asian Conference on Arts and Humanities 4th to 7th April 2013 Osaka, Japan The Fourth Asian Conference on Arts and Humanities 2013 - International conference organized by IAFOR in partnership with its global university affiliates, including Auburn University College of Arts and Sciences (USA), Birkbeck, University of London (UK), Hong Kong Institute of Education, Hong Kong (HKSAR), University of Lincoln (UK), The National Institute of Education (Singapore), The National University of Tainan (Taiwan), Waseda University (Japan), Zagreb University (Croatia) Conference Theme: Connectedness, Identity and Alienation CFP: Deadline December 1 2012 Dear Colleagues, A combined total of more than 900 academics from over fifty different nations have attended the Asian Conference on Arts and Humanities since it was launched in 2010. As the conference enters its fourth year it aims to build on the strengths and successes of the previous two years by offering a true celebration of interdisciplinary study in a stimulating scholarly environment, and in the wonderfully rich physical and cultural environment of Japan. This international conference will again bring together university scholars working throughout Japan, Asia, and beyond to share ideas and forge working relationships with each other over a stimulating, challenging, and fun long weekend. The 2013 conference theme is "Connectedness, Identity and Alienation" and the organizers hope that this will again encourage and inspire exciting new research avenues, and further encourage academic and personal encounters and exchanges across national, religious, cultural and disciplinary divides. We look forward to seeing you (again) in Osaka in 2013! Professor Stuart D.B. Picken Order of the Sacred Treasure, B.D., Ph.D., F.R.A.S. Chairman, Japan Society of Scotland and Chairman IAFOR IAB Conference Chair, The Asian Conference on Arts and Humanities 2013 The conference offers the suggestion of optional themes to concentrate the mind; "Connectedness, Identity and Alienation in the Arts and Humanities", and the organizers encourage submissions that approach these themes from a variety of perspectives. However, the submission of other topics for consideration is welcome and we also encourage sessions within and across a variety of interdisciplinary and theoretical perspectives. For more details about submitting an abstract, please apply through the website. Submissions are organized into the following thematic streams: - Arts Teaching and Learning the Arts Arts Policy, Management and Advocacy Arts Theory and Criticism Social, Political and Community Agendas in the Arts Visual Arts Practices Performing Arts Practices: Theatre, Dance, Music Literary Arts Practices Media Arts Practices: Television, Multimedia, Digital, Online and Other New Media Other Arts - Humanities Media, Film Studies, Theatre, Communication Aesthetics, Design Language, Linguistics Knowledge Philosophy, Ethics, Consciousness History, Historiography Literature/Literary Studies Political Science, Politics Teaching and Learning Globalisation Ethnicity, Difference, Identity Immigration, Refugees, Race, Nation First Nations and Indigenous Peoples Sexuality, Gender, Families Religion, Spirituality Cyberspace, Technology Science, Environment and the Humanities Other Humanities Enquiries: acah@iafor.org Web address: http://acah.iafor.org Sponsored by: The International Academic Forum Hear the latest research, publish before a global audience, present in a supportive environment, network, engage in new relationships, experience Japan, explore Osaka and Kyoto, join a global academic community... join an iafor event

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3rd Global Conference: Urban Popcultures

3rd Global Conference Urban Popcultures Sunday 12th May - Tuesday 14th May 2013 Prague, Czech Republic Call for Presentations: This inter- and multi-disciplinary conference aims to examine, explore and critically engage with issues related to urban life. The project will promote the ongoing analysis of the varied creative trends and alternative cultural movements that comprise urban popcultures and subcultures. In particular the conference will encourage equally theoretical and practical debates which surround the cultural and political contexts within which alternative urban subcultures are flourishing. Presentations, papers, performances, reports, work-in-progress, workshops and pre-formed panels are invited on issues related to any of the following themes: 1. Urban Space and the Landscape of the City Urban Aesthetics and Architecture, Creative Re-imagining and Revitalization of the City. Brown Fields Reborn. The Metropolis and Inner City Life: Urban Boredom vs. Creativity. 2. The City as Creative Subject/Object Urban Life and Urban Subculture Considered in Music, Literature, Art and Film, Urban Fashion and Style. Mobile Gaming. Alternate Realities. Urban Visual Styles, Street Art, Graffiti and Tagging. City Festivals. 3. Urban Codes Alternative Popular Culture and Ideology, Politics of Alternative Popcultures, D.I.Y, Alternative Ethics of the City. Urban Religion and Religious Expressions. The Language and Urban Slang. The Avantgarde and Urban Codes. 4. Alternative Music Cultures Histories, Representations, Discourses and Independent Scenes. Popular Music Theory. The Visual Turn. Urban and Alternative Classes, Intertextualities and Intermedialities. Postmodernity and Beyond. Clubbing and Scenes. Hip Hop and Rap. Dark Wave Scenes - EMO, Post-Gothic, and Underground Electronica. 5. The Urban Underground The Rise and Fall of the Experimental Subcultures, Scenes, Fashions and Styles. Alternative and Underground Dance, Electronica, Hip Hop, and Punk and Post-Rock Scenes. 6. Queer Theory and Urban Alternative Cultures Gendered Music and Fashion. The Role of the City in Gendered Freedom and Libertine Lifestyles. Pride Parades. 7. The City, Fashion, and Identity Identity Creation. Style and Branding. Politics of Cool. Pretties, Freaks and Uglies. 8. Visions of Alternative Sound Cultures in Massmedia The Visual Aspects of Alternative Entertainment. The Evolution of Music and Thematic Television. Media Structure of Music Video. Explicit TV and Censorship. Urban Styles and Extreme Sports. 9. Urban Subcultures in Online World Urban Identity and Global/Glocal Membership. Globalization/Localisation of Underground Music Experience. Copyright/Copyleft. The Role of Internet in the Transformation of Music Industry. The Impact of User-generated Content. What to send: 300 word abstracts should be submitted by Friday 30th November 2012. All submissions are minimally double blind peer reviewed where appropriate. If an abstract is accepted for the conference, a full draft paper should be submitted by Friday 15th February 2013. Abstracts should be submitted simultaneously to the Organising Chairs; abstracts may be in Word, WordPerfect, or RTF formats with the following information and in this order: a) author(s), b) affiliation, c) email address, d) title of abstract, e) body of abstract f) up to 10 key words E-mails should be entitled: Urban Popcultures 3 Abstract Submission. Please use plain text (Times Roman 12) and abstain from using footnotes and any special formatting, characters or emphasis (such as bold, italics or underline). We acknowledge receipt and answer to all paper proposals submitted. If you do not receive a reply from us in a week you should assume we did not receive your proposal; it might be lost in cyberspace! We suggest, then, to look for an alternative electronic route or resend. Organising Chairs Jordan Copeland: copeland@lasalle.edu Daniel Riha: rihad@inter-disciplinary.net Rob Fisher: up3@inter-disciplinary.net The conference is part of the 'Critical Issues' programme of research projects. It aims to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and exciting. All papers accepted for and presented at the conference will be eligible for publication in an ISBN eBook. Selected papers may be developed for publication in a themed hard copy volume(s). For further details of the conference, please visit: http://www.inter-disciplinary.net/critical-issues/cyber/urban-popcultures/call-for-papers/ Please note: Inter-Disciplinary.Net is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence.

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The World Symposium on Global Encounters in Southeast Asian Performing Arts

The World Symposium on Global Encounters in Southeast Asian Performing Arts 1st to 3rd February 2013 Bangkok, Thailand Conference in Bangkok, Thailand I wish to inform you of the forthcoming symposium to be hosted by Bangkok University, Thailand and University of Victoria, Canada, which may be of particular interest to you, your colleagues and students. The World Symposium on Global Encounters in Southeast Asian Performing Arts: International Theatre Festival, Conference and Workshop to be held in Bangkok, Thailand on 1-3 February, 2013.The main objective of the symposium is to function as a platform of exploration, in search of a lasting live performance culture that can establish an influential and sustainable position in Southeast Asia, regardless of whether it is expressed in traditional, contemporary or postmodern form. It is a communal gathering for performing arts academics, practitioners and enthusiasts with the aim of establishing a productive dialogues and common ground with regard to ways in which Southeast Asian creative arts will survive under the tremendous pressure of the global spectrum of changes currently taking place. There will be 4 distinctive themes of the conference panels; 'performance and new media', 'traditional performance in the changing world', 'spectrum of contemporary vs. intercultural performance', and 'transnationalism and globalization'. The themes of the international theatre festival and workshop are also both interrelated and operated under the themes. If you would like to contribute and participate, please go to http://www.buworldsymposium.com/home.php The deadline for abstracts are on the 30th of September, 2012. The symposium team is looking forward to meeting and greeting you here in Bangkok, Thailand. Regards, The symposium team Enquiries: buworldsymposium2013@gmail.com Web address: http://www.buworldsymposium.com/home.php

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