Thursday, 28 December 2017

2018 International Conference on Engineering, Technology, and Applied Science

2018 International Conference on Engineering, Technology, and Applied Science

Taipei, Taiwan

The main goal of ICETA is to provide an international platform for sharing worldwide ideas as well as the recent developments on engineering, technology and applied science.

Enquiries: iceta.conference@gmail.com
Web address: http://iainst.org/iceta/
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Wednesday, 20 December 2017

The Asian Conference on Arts and Humanities 2018 (ACAH2018)

The final submission deadline for the Asian Conference on Arts & Humanities is approaching. Submit your abstract by January 11, 2018 and join IAFOR and participants from around the world for ACAH2018, held March 30 – April 1, 2018 in Kobe, Japan.

***Conference Theme: "Recentering: Asian Spaces, Cultures and Ideas in the 21st Century"

If globalisation is characterised by simultaneous networks of information, has the concept of centres become obsolete? Or do certain recent geopolitical developments – the fading of America's "global leadership" being counterbalanced by the rise of China's, the latter's new Belt and Road Initiative promising to become a new Silk Road, Britain's exit from the EU, and the newly proposed trade agreements between Japan and Europe – put the world on the verge of a radical recentering? Will the burgeoning mega-cities in Asia displace the traditional nation-state in the competition for capital, status and enhanced technologies?

Scholars and students of the humanities have long questioned the extent to which shifts in formations of power – empires, countries, regions, cities – resonate through cultural practices that centre on literary and aesthetic meaning, expression and representation. This provokes further questions about how such centres can be identified, defined and represented; and about their relations of other types and modes of centering. Is cultural prestige dependent on political centrality? Or can it be achieved through the circulation of forms and aesthetics that operate in their own economy? For that matter, what is central to its meanings and valuations of culture?

What of the humanities themselves? Fears of their marginalisation are based on the assumption that they were once central, and that the only way to restore their former authority is to argue against their subordination to scientific, technological or vocational forms of education. Can the humanities find new life in multi- or cross-disciplinary frameworks? How can they survive the dominant trend towards more marketable or "useful" forms of education? What is central to the humanities? Should older disciplines such as Literature and Aesthetics reinvent themselves as it be Cultural Studies? Or should they now concentrate on comprehending their own historical genealogies in relation to current scholarly practices?

There is also the question of why, in the wake of postcolonial and transnational decenterings, do elite Anglo-American universities retain so much of their cultural capital? How might humanities redefine themselves if recentred in Asian institutions? Is it possible for the prevailing discourses of Western humanism to be combined with Asian values, goals and traditions? Could such a transformation help to rehabilitate the humanities' current beleaguered status in America and Europe?

Our present historical moment compels us to think through the implications of these and other modes of recentering. The Asian Conference on Arts and Humanities 2018 provides an opportunity for academics, artists, writers and students to explore the challenges of multi-faceted and interdisciplinary rethinkings of the ways we imagine, articulate and work with centres.

We invite proposals that deal with any aspect of recentering, and offer a following list of possible areas of exploration that can be found on the homepage of the conference website.

In conjunction with our Global Partners, Including Osaka University and Lehigh University, we look forward to extending you a warm welcome in 2018.

– The ACAH2018 Organising Committee
Professor Donald E. Hall, Lehigh University, USA
Professor Myles Chilton, Nihon University, Japan
Dr Yukari Yoshihara, University of Tsukuba, Japan
Professor Stephen Clark, University of Tokyo, Japan
Dr Joseph Haldane, IAFOR, Japan

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***Important Dates

– Venue: Art Center Kobe, Kobe, Japan
– Dates: Friday, March 30, 2018 to Sunday, April 01, 2018
– Conference Theme: "Recentering: Asian Spaces, Cultures and Ideas in the 21st Century"
– Final Abstract Submission Deadline: January 11, 2018
– Registration Deadline for Presenters: February 09, 2018

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***Keynotes and Featured Speakers: https://acah.iafor.org/speakers/

ACAH2018 is proud and excited to announce the following speakers that will present in plenary and featured sessions. For more information on these speakers, please see the speakers page of the conference website.

Dr Eun Kyung Min, Seoul National University, South Korea
Professor Li Ou,Chinese University of Hong Kong, Hong Kong
Dr Yutaka Mino, Hyogo Prefectural Museum of Art, Japan
Dr Shoso Shimbo, RMIT University, Australia

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***Call for Papers: acah.iafor.org/call-for-papers

The conference theme for ACAH is "Recentering: Asian Spaces, Cultures and Ideas in the 21st Century", and the organisers encourage submissions that approach this theme from a variety of perspectives. However, the submission of other topics for consideration is welcome and we also encourage sessions across a variety of interdisciplinary and theoretical perspectives.

Submissions are organised into the following thematic streams:

ARTS
– Teaching and Learning the Arts
– Arts Policy, Management and Advocacy
– Arts Theory and Criticism
– Social, Political and Community Agendas in the Arts
– Visual Arts Practices
– Performing Arts Practices: Theater, Dance, Music
– Literary Arts Practices
– Media Arts Practices: Television, Multimedia, Digital, Online and Other New Media
– Other Arts

HUMANITIES
– Media, Film Studies, Theatre, Communication
– Aesthetics, Design
– Language, Linguistics
– Knowledge
– Philosophy, Ethics, Consciousness
– History, Historiography
– Literature/Literary Studies*
– Political Science, Politics
– Teaching and Learning
– Globalisation
– Ethnicity, Difference, Identity
– Immigration, Refugees, Race, Nation
– First Nations and Indigenous Peoples
– Sexuality, Gender, Families
– Religion, Spirituality
– Cyberspace, Technology
– Science, Environment and the Humanities
– Other Humanities

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***IAFOR Publishing Opportunities

**Peer-Reviewed Journal: IAFOR Journal of Arts & Humanities

The IAFOR Journal of Arts & Humanities (ijah.iafor.org) is an editorially independent, peer-reviewed journal associated with ACAH2018. The editor of the journal will select the strongest papers from associated Conference Proceedings for consideration, as well as papers submitted via the open call. This Open Access journal, which conforms to the highest academic standards, reflects the interdisciplinary and international nature of our conferences.

**Conference Proceedings

After having your abstract accepted and presenting your research at the conference, you are encouraged to submit a full paper for inclusion in the official Conference Proceedings. Our Conference Proceedings are Open Access research repositories that act as permanent records of the research generated by IAFOR conferences. Further details are available here: acah.iafor.org/final-paper-submission

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***Join IAFOR at ACAH2018 to:

– Present to a global audience
– Have your work published in the Conference Proceedings and considered for peer-reviewed, Open Access journals
– Hear about the latest interdisciplinary research in Arts & Humanities
– Participate in a truly international, interdisciplinary and intercultural event
– Take part in interactive audience sessions
– Network with international colleagues

**Register now to take advantage of Advance Registration prices. Advance Registration is open until the end of January 12, 2018. Lunch is included in all conference registrations.

Please see the registration page for details: acah.iafor.org/registration

*If you have attended an IAFOR conference within the past year, or belong to an affiliated university or institution, we offer additional discounts in appreciation of your support. Please contact us at acah@iafor.org for details.

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***About IAFOR

The International Academic Forum (IAFOR) is a research organisation, conference organiser and publisher dedicated to encouraging interdisciplinary discussion, facilitating intercultural awareness and promoting international exchange, principally through educational exchange and academic research.

To learn more about IAFOR, please visit iafor.org
To unsubscribe from Conference Alerts click here.
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Wednesday, 13 December 2017

The Sixteenth International Conference on Books, Publishing and Libraries

The Sixteenth International Conference on Books, Publishing and Libraries

University of Pennsylvania, Philadelphia, USA
7 July 2018
http://booksandpublishing.com/philadelphiaconference-2018


CALL FOR PAPERS

The Sixteenth International Conference on Books, Publishing and Libraries will be held at the University of Pennsylvania, Philadelphia, USA, 7 July 2018. We invite proposals for paper presentations, workshops/interactive sessions, posters/exhibits, virtual lightning talks, virtual posters, innovative showcase, or colloquia addressing one of the following themes:

Theme 1: Publishing Practices: Past, Present, and Future
Theme 2: Reading, Writing, Literacy, and Learning
Theme 3: Books and Libraries

2018 SPECIAL FOCUS: Communicating Values - Scholarly Communication as Mediator, Agent, Actor


CONFERENCE SUBMISSION DEADLINES

The next proposal deadline is 7 April 2017. We welcome the submission of presentation proposals at any time of the year up until 30 days before the start of the conference. All proposals will be reviewed within two to four weeks of submission.


JOURNAL

The International Journal of the Book encourages the widest range of submissions and aims to foster the highest standards of intellectual excellence. Articles may be submitted by in-person and virtual participants as well as Research Network Members.

The Journal is indexed by:

- The Australian Research Council (ERA)
- China National Knowledge Infrastructure (CNKI Scholar)
- Genamics Journal Seek
- Humanities International Index (EBSCO)
- Humanities International Complete (EBSCO)
- Humanities Source (EBSCO)
- Humanities Source International (EBSCO)
- Literary Reference Center Plus (EBSCO)
- Modern Language Association
- Scopus
- Ulrich's Periodicals Directory


CONFERENCE LANGUAGE OPTIONS

Proposals for presentation can be submitted in English, Spanish, Portuguese, or Chinese.

For more information and to submit a proposal visit:
http://booksandpublishing.com/philadelphiaconference-2018

Please forward this announcement to your colleagues and students who may be interested.

Enquiries: support@booksandpublishing.com
Web address: http://booksandpublishing.com/philadelphiaconference-2018
Join us on Facebook: https://www.facebook.com/BooksPublishingLibraries
Books, Publishing and Libraries Research Network / Common Ground Research Networks
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This announcement is distributed via Conal Conference Alerts.
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of announcements or for the bona fides of event organizers.
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misleading information and we will attempt to correct it.
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Sunday, 10 December 2017

Conal Monthly


10 Dec 2017
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This is an interdisciplinary conference on performance art in all its various incarnations: from durational performances to immersive theatre, from body art to drag shows. For a more detailed CFP please visit our web site.

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Friday, 8 December 2017

2nd Global Conference: Music and... Nationalism

2nd Global Conference: Music &... Nationalism
29th to 30th June 2018
Palermo, Italy

The spectre of national anthems being sung at mass events, political rallies and the use of pop music and established musicians providing endorsements at political rallies suggest that the relationship between music and the spirit nationalism is as strong as it has been since its emergence as a feature of 19th century romantic music. This conference aims to bring together interdisciplinary research perspectives on the relationship between music and nationalism.

Current political change and visions of the reconfiguration of political landscapes at the local and global scale provide the opportunity for a new critical reassessment of the relationship between music and nationalism. Has music become such a transnational force that the effect of music as tool to engender nationalism in the public psyche no longer has any efficacy? What are the current trends in the relationship between music and political movements? Is the role of sentimentalism as a counter to intellectualism still the same in nationalistic music as it was in the romantic period? Is the relationship between the use and abuse of music and nationalism still fraught with the dangers common to the political propaganda of the 19th and 20th centuries in the glorification of the nation state? Does music have a role to play at all in contemporary politics? It is the aim of this conference to explore these and related questions and issues.

Part of the Progressive Connexions series Music &..., we invite submissions that may deal with but are not limited to:

~ National anthems
~ Nationalism, music and identity formation
~ Music and the building of the nation state
~ Specific political ideologies and music (e.g. Fascism, communism, anarchism)
~ Composers
~ Nationalism and the choral tradition
~ Historical perspectives
~ Music and political propaganda
~ Sentimentalism, emotionalism and anti-intellectualism
~ Transnational music
~ Mythologies
~ Opera and nationalism
~ Music as a tool for assimilation
~ Music, nationalism and ethics
~ Aesthetics
~ Protest music, activist anthems, musics of resistance
~ Folk music traditions, folk idioms and heritage
~ Nationalism and popular music cultures (e.g. Brit pop, J-pop, punk music, heavy metal etc.)
~ Nationalism, music and mass events
~ Nationalism, music and sport
~ Musicology and nationalism
~ Media representations of music and nationalism
~ Lyrics and meaning
~ Warfare and conflict
~ Memory, remembrance, emotion
~ Music, nationalism and film

Our main goal is to facilitate dialogue and spark innovative collaborations and discussions at an international level, in a dynamic and interactive setting. Thus, we welcome participants from all relevant disciplines, professions and vocations (NGO personnel, aid workers, researchers, mental and physical health professionals, educators, human rights activists, counsellors, social workers, policy makers, journalists, lawyers, politicians, business owners, military personnel, composers, customs workers and members of the border patrol, labour specialists, historians, sociologists, psychologists, economists, anthropologists, ethnographers social media experts, artists and many more)

What to Send
The aim of this interdisciplinary conference and collaborative networking event is to bring people together in the context of a variety of formats: papers, seminars, workshops, panels, q&a's, performances etc.

300 word abstracts, proposals, presentations, scores, compositions, mp3's/flacs and other forms of contribution and participation should be submitted by Friday 19th January 2018.

Whilst we welcome proposals for live performances, our options are unfortunately limited by the facilities available at the venue as well as any cost considerations relating to staging the performance. If you are interested in staging a live performance, please contact us and let us know what you have in mind.

All submissions will be minimally double reviewed, under anonymous (blind) conditions, by a global panel drawn from members of the Project Team and the Advisory Board. In practice our procedures usually entail that by the time a proposal is accepted, it will have been triple and quadruple reviewed.

You will be notified of the panel's decision by Friday 2nd February 2018.

If your submission is accepted for the conference, a full draft of your contribution should be submitted by Friday 11th May 2018.

Abstracts and proposals may be in Word, PDF, RTF or Notepad formats with the following information and in this order:
a) author(s), b) affiliation as you would like it to appear in the programme, c) email address, d) title of proposal, e) body of proposal, f) up to 10 keywords.

E-mails should be entitled: Music and Nationalism Submission

Where to Send
Abstracts should be submitted simultaneously to the Organising Chair and the Project Administrator:

Dr Niall Scott: NWRScott@uclan.ac.uk
Project Administrator: palermomusic@progressiveconnexions.net

What's so Special About Progressive Connexions Events?
A fresh, friendly, dynamic format – at Progressive Connexions we are dedicated to breaking away from the stuffy, old-fashion conference formats, where endless presentations are read aloud off PowerPoints. We work to bring you an interactive format, where exchange of experience and information is alternated with captivating workshops, engaging debates and round tables, time set aside for getting to know each other and for discussing common future projects and initiatives, all in a warm, relaxed, egalitarian atmosphere.

A chance to network with international professionals – the beauty of our interdisciplinary events is that they bring together professionals from all over the world and from various fields of activity, all joined together by a shared passion. Not only will the exchange of experience, knowledge and stories be extremely valuable in itself, but we seek to create lasting, ever-growing communities around our projects, which will become a valuable resource for those belonging to them.

A chance to be part of constructing change – There is only one thing we love as much as promoting knowledge: promoting real, lasting social change by encouraging our participants to take collective action, under whichever form is most suited to their needs and expertise (policy proposals, measuring instruments, research projects, educational materials, etc.) We will support all such actions in the aftermath of the event as well, providing a platform for further discussions, advice from the experts on our Project Advisory Team and various other tools and intellectual resources, as needed.

An opportunity to discuss things that matter to you – Our events are not only about discussing how things work in the respective field, but also about how people work in that field – what are the struggles, problems and solutions professionals have found in their line of work, what are the areas where better communication among specialists is needed and how the interdisciplinary approach can help bridge those gaps and help provide answers to questions from specific areas of activity.

An unforgettable experience – When participating in a Progressive Connexions event, there is a good chance you will make some long-time friends. Our group sizes are intimate, our venues are comfortable and relaxing and our event locations are suited to the history and culture of the event.

Ethos
Progressive Connexions believes it is a mark of personal courtesy and professional respect to your colleagues that all delegates should attend for the full duration of the meeting. If you are unable to make this commitment, please do not submit an abstract or proposal for presentation.

Please note: Progressive Connexions is a not-for-profit network and we are not in a position to be able to assist with conference travel or subsistence, nor can we offer discounts off published rates and fees.

Enquiries: palermomusic@progressiveconnexions.net

Web address:
http://www.progressiveconnexions.net/interdisciplinary-projects/music-and/music-and-nationalism/conferences/
Sponsored by: Progressive Connexions
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This announcement is distributed via Conal Conference Alerts.
We aim to provide correct and reliable information about
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of announcements or for the bona fides of event organizers.
Please feel free to contact us if you notice incorrect or
misleading information and we will attempt to correct it.
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